All the Years Combine: The Grateful Dead in Fifty Shows
(eAudiobook)

Book Cover
Published
Tantor Media, Inc., 2024.
ISBN
9798855566079
Status
Available Online

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Physical Description
6h 59m 0s
Format
eAudiobook
Language
English

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Citations

APA Citation, 7th Edition (style guide)

Ray Robertson., Ray Robertson|AUTHOR., & Christopher Grove|READER. (2024). All the Years Combine: The Grateful Dead in Fifty Shows . Tantor Media, Inc..

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Ray Robertson, Ray Robertson|AUTHOR and Christopher Grove|READER. 2024. All the Years Combine: The Grateful Dead in Fifty Shows. Tantor Media, Inc.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Ray Robertson, Ray Robertson|AUTHOR and Christopher Grove|READER. All the Years Combine: The Grateful Dead in Fifty Shows Tantor Media, Inc, 2024.

MLA Citation, 9th Edition (style guide)

Ray Robertson, Ray Robertson|AUTHOR, and Christopher Grove|READER. All the Years Combine: The Grateful Dead in Fifty Shows Tantor Media, Inc., 2024.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouping Information

Grouped Work IDd15a5603-4a8a-44d4-6592-8bc21c5ae0df-eng
Full titleall the years combine the grateful dead in fifty shows
Authorrobertson ray
Grouping Categorybook
Last Update2024-06-24 21:01:16PM
Last Indexed2024-06-29 02:43:16AM

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    [synopsis] => A Grateful Dead concert, Ray Robertson argues, is life.

Like life, it can be alternately compelling and lackluster; familiar and foreign; occasionally sublime and sometimes insipid. Although the Grateful Dead stopped the day Jerry Garcia's heart did, what the band left behind is the next best thing to being there in the third row, courtesy of the group's unorthodox decision to record all of their concerts. Meaning that it's possible to follow the band's evolution (and devolution) through their shows, from the R&B-based garage band at the beginning, to the jazz-rock conjurers at their creative peak, to the lumbering monolith of their decline.

In “All the Years Combine: The Grateful Dead in Fifty Shows”, Robertson listens to and writes ecstatically about fifty of the band's most important and memorable concerts in order to better understand who the Grateful Dead were, what they became, and what they meant, and what they continue to mean.
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