“You find yourself moved, even enchanted, by the beautiful, oblique stories unfolding before your eyes… SYNDROMES AND A CENTURY is split in two. The first half takes place at a quiet rural hospital, while the second unfolds at a much larger and more modern urban medical complex… The beauty of the film is an aspect partly of its patient attention to faces, trees, landscapes and architectures, and partly of the subtle precision of the camera movements…...

Tanthai has become the Thai underworld's secret weapon: a remorseless contract killer able to dispatch any target provided his price is met. But a when a politician hires him to kill a drug kingpin, Tanthai finds himself the target.

When Dum, a young peasant boy, falls in love with Rumpoey, they vow that, whatever happens, they will one day be together. When they meet again ten years later, their rekindled passion is thwarted by the murder of Dum's father.

A murder mystery witnessed and told through the eyes of a young monk, a woodcutter, and an undertaker.

Apichatpong creates a film version of the corpse game, enlisting locals to improvise narration to create a combined story.

The story of Yumi, who goes to visit her mother's girlfriend, and take her sister to a mysterious hotel But an ordinary trip turns into a terrible nightmare when the hotel hides a mystery that's too terrifying for her to be aware of.

Not only is Kamakura-based Masakazu Isshiki a mystery novelist, but he is also a good detective himself. His wife Akiko and he are acquainted with all manners of creatures and gods who are of, from or passing through the town.

Zieng is a young man fueled by grief and bent on revenge after witnessing his parents' murder by a callous and malicious killer. The only information Zieng has as to the killer's identity is that he is a tattoo-covered man who is a part of an organized group of cattle rustlers. Zieng makes it his mission to stop the cattle rustlers and get his revenge.