Big Bosses: A Working Girl's Memoir of Jazz Age America
(eBook)

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Published
The University of Chicago Press, 2016.
ISBN
9780226423760
Status
Available Online

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Format
eBook
Language
English

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Citations

APA Citation, 7th Edition (style guide)

Althea McDowell Altemus., & Althea McDowell Altemus|AUTHOR. (2016). Big Bosses: A Working Girl's Memoir of Jazz Age America . The University of Chicago Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Althea McDowell Altemus and Althea McDowell Altemus|AUTHOR. 2016. Big Bosses: A Working Girl's Memoir of Jazz Age America. The University of Chicago Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Althea McDowell Altemus and Althea McDowell Altemus|AUTHOR. Big Bosses: A Working Girl's Memoir of Jazz Age America The University of Chicago Press, 2016.

MLA Citation, 9th Edition (style guide)

Althea McDowell Altemus, and Althea McDowell Altemus|AUTHOR. Big Bosses: A Working Girl's Memoir of Jazz Age America The University of Chicago Press, 2016.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID907790a2-0a6f-bd28-52d1-ad3e785c9a65-eng
Full titlebig bosses a working girls memoir of jazz age america
Authoraltemus althea mcdowell
Grouping Categorybook
Last Update2024-05-30 14:56:40PM
Last Indexed2024-06-27 00:38:01AM

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Image Sourcesyndetics
First LoadedSep 28, 2023
Last UsedJun 27, 2024

Hoopla Extract Information

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    [synopsis] => In her memoir, Big Bosses, Althea Altemus vividly recounts her life as a secretary for prominent-but thinly disguised-employers in Chicago, Miami, and New York during the late teens and 1920s. Alongside her, we rub elbows with movie stars, artists, and high-profile businessmen, and experience lavish estate parties that routinely defied the laws of Prohibition.

Beginning with her employment as a private secretary to James Deering of International Harvester, whom she describes as "probably the world's oldest and wealthiest bachelor playboy," Altemus tells us much about high society during the time, taking us inside Deering's glamorous Miami estate, Vizcaya, an Italianate mansion worthy of Gatsby himself. Later, we meet her other notable employers, including Samuel Insull, president of Chicago Edison; New York banker S. W. Straus; and real estate developer Fred F. French. Altemus was also a struggling single mother, a fact she had to keep secret from her employers, and she reveals the difficulties of being a working woman at the time through glimpses into women's apartments, their friendships, and the dangers-sexual and otherwise-that she and others faced. Throughout, Altemus entertains with a tart and self-aware voice that combines the knowledge of an insider with the wit and clarity of someone on the fringe.
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